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Matthew Sweet (1) 299 views 0 favorites
Sidney Matthew Sweet (born October 6, 1964, in Lincoln, Nebraska) is an American alternative rock/power pop musician. He was part of the burgeoning Athens, Georgia, music scene in the early and mid-1980s before gaining commercial success during the early 1990s. He continues to tour, and his most recent studio album, Modern Art, was released in 2011.
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Mauro Picotto (1) 75 views 0 favorites
Mauro Picotto (born December 25, 1966) is an Italian electronic music producer and DJ. Previously a member of the Italian eurodance group, Cappella. He became well known as a solo artist with techno-trance tracks including "Komodo" (2000), "Pulsar" (2001, with new mixes in 2002) and most famously for "Lizard" (1999, remixed in 2000). He has collaborated with other techno-trance musicians such as Tiësto and Mario Più.
He now promotes his own techno club night, Meganite (named after an early 21st century track of his), which has run for consecutive years annually since 2005 at Privilege Ibiza. He now produces under his own record label, Bakerloo. Born in the Italian town of Cavour, near Turin, Picotto was raised in a family of stonemasons and dancers. His father ran a mason's yard called CRW, a name Mauro would later use as a pseudonym for his trance side-project.
Picotto longed to start making his own productions, but felt that to be successful he must first become a DJ. After winning the Walky Cup competition on national TV, an event for the top DMC[clarification needed] DJs in Italy, he met with Daniele Davoli who was there to promote his Black Box single "Ride On Time", and this led Picotto towards record producing. His first track "We Gonna Get", produced under the name RAF, became a Top 20 hit single across much of Europe.
Another RAF release followed, alongside remixes and co-writing credits for Clubhouse (who had a European hit with "Light My Fire"), Cappella (best known for rave hits like "U Got 2 Let The Music" and "Move On Baby") and the 49ers. A track released under his own name, "Bakerloo Symphony", ended up being Number 1 in Italy for eight weeks. Also in 1996 Picotto became a partner in Media Records alongside Gianfranco Bortolotti.
1998 saw the release of the gatecrasher anthem, "Lizard (Gonna Get You)". The track ended up being a Top 30 hit in the UK Singles Chart - and was followed by two further instalments in the reptilian trilogy: "Iguana" (#39) and "Komodo (Save a Soul)", which would give Picotto the highest UK chart position of his career - #13. This would see him make his only solo performance on BBC Television's Top of the Pops. Picotto was the first DJ to mix live on the show.
Later tracks he was involved in also made an impact on the UK chart. "I Feel Love" - released under the pseudonym CRW - reached #15 in 2000, whilst "Communication (Somebody Answer The Phone)" - which he produced alongside Mario Più - reached the UK Top 5 at the end of 1999.
His remix of "On The Beach" by York, also helped to propel that song into the UK Top Five in Spring 2000, when it was selected by the record company - Manifesto - to be used as the official radio edit. Two solo albums, The Double Album (2000) and The Others (2002), followed, as well as remixes and productions for Freddie Mercury, Jimmy Somerville, the Pet Shop Boys and U2. Upon leaving Media Records in 2002, Picotto formed Bakerloo Music, as well as a new label Alchemy, releasing several club tracks, including "New Time New Place" and the "Alchemy EP". That same year he launched his Meganite party at the Miami Winter Music Conference.
In 1995 Mauro headlined the Radio 1 big weekend in Sunderland, in front of 1000's of people, one of Radio 1's highlights!!!!
Picotto has more recently released several Meganite Ibiza albums on a new label Big In Ibiza.
Picotto's 'Meganite' party is held every Wednesday at Ibiza'a Privilege club.
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Max Graham (1) 336 views 0 favorites
Max Graham is a Canadian DJ, composer and producer who manages to transcend genres while producing international hits in the dance music scene. He is most famous for his hits “Sun in the Winter” and “Nothing Else Matters”, His Cycles CD Series/Radio show as well as his remix of the classic song “Owner of a Lonely Heart” by Yes. Graham can be found touring the world on a regular basis. He presently runs the trance and progressive label Re*Brand Records, and resides in Montreal.
Graham was born in London, England and lived in Spain, New York City and Los Angeles before settling in Ottawa in 1989. At age 15 in 1986, he began as a hip-hop and scratch DJ before discovering and falling in love with the Dance music scene between 1992 and 1994. Max was also instrumental in the creation of the famous Atomic club in Ottawa, and his weekly 6 hour sets at Atomic are the stuff of legend among fans. Max exploded onto the producing scene with the releases of “Airtight” and “Tell You,” both of which became international hits. Airtight was nominated for a Juno Award in 2001. This success got some attention from the world dance music scene and Graham was asked to mix Tranceport CD #4, which was also met with huge success, and spurred a world tour in 2001. This rapid rise in attention led Graham to be voted into spot number 23 on DJ Mag's Top 100 DJs list, the highest entry for a newcomer in 2001. His distinctive style remains difficult to pin down, covering genres like, progressive, techno, disco, and trance to name just some. During a Graham performance, a collection of different sounds can be heard in every aspect of the tracks being played: the bass, rhythms, and melodies constantly change and energize the audience and dancers at Graham’s sets.
Early years
Graham spent his first years in Hampstead Heath, London with his mother and two siblings. At the age of eight Graham and his mother moved to Spain and settled in a small town called Mijas in the Costa Del Sol. It was here in the local public school that Graham learned to speak Spanish fluently. After two years the decision was made to switch custody from mother to father and Graham moved from Spain to the United States and attend school in New York City
1984-1986 New York
In 1984 while living in New York City, Graham was exposed to the then budding Rap Music scene of the lower east side, frequently hanging out with Graffiti artists and local Rappers and coming home with spray paint on his hands. It was at that time he was exposed to Turntablism. Being only 13 at the time Graham was not old enough to attend any of the local rap concerts by such legends as Run DMC and LL Cool J. Instead Graham went into the now defunct Ritz nightclub which is currently Webster Hall on the day of a Run DMC concert and asked for Posters of the show for his wall. Just by luck the VJ (video performance artist) was in the foyer and invited Graham to come back during the show and watch from the DJ Booth. The DJ Booth at the Ritz was quite large, housed the DJ and the VJ and was not considered a "licensed area" for alcohol, this allowed for someone underage such as Graham to view the concert. Graham was more interested in the Scratching he witnessed than the rapping and fell instantly in love with djing. The friendship he forged with the VJ led to Graham attending more hip hop shows in exchange for taping visuals off the television onto a VHS and bringing it to the VJ. Graham convinced his father to buy him two Belt-drive turntables and a Gemini Sound Products DJ mixer. This unfortunately lasted only a few months as Graham discovered Skateboarding and then moved to Los Angeles to attend Palisades High School
1987-1989 Los Angeles
Graham fell deeper into the Skate culture of Mid 80's Los Angeles hanging out at Venice Beach with Skaters such as Christian Hosoi, Eric Dressen, Jesse Martinez and Natas Kaupas. With no further need for his turntables Graham traded them with Natas Kaupas for a custom painted skateboard and a selection of Trucks, Stickers and Wheels.
Music career
1990-1998 Ottawa
After getting into trouble with the LAPD in Los Angeles in 1988, Grahams father took a business opportunity in Ottawa, Canada with the hopes that it would move Graham away from the negative influences in L.A. and keep him out of trouble. Graham finished high school here and decided to take a job as a bartender at a local club. While applying for the job the owner asked him if he knew how to DJ as the DJ for that night had not shown up. Graham, remembering his turntablist days agreed to give it a shot. While he bombed that first night the owner like him enough to let him in to practice during the day. It was here that Graham met DJ Michael Mailly who spent extensive time with Graham, teaching him the concept of beat mixing, counting bars and matching harmonics. Graham learned the art of mixing tracks together so that each songs main elements complimented the song it was mixed with, a concept known as Harmonic Mixing.
As Graham mastered this mixing technique he moved from one club to another in Ottawa, each time increasing his following with a top 40 style that included house music and hip hop, finally settling in a two-year residency at Indigo nightclub in Ottawa.
While at Indigo nightclub in 94 Graham was approached by some coworkers who convinced him to join them at a rave in Montreal. It was there that Graham experienced a completely different relationship between the DJ and the dance floor and felt that performing for top 40 crowds was no longer his calling. Upon arriving back to Ottawa Graham promptly left a high paying top 40 DJ gig and spent every penny on house vinyl, Graham began with breaks and deeper house as he found his sound within the multiple genres of the underground. In the mid nineties someone handed Graham a mixtape, it was DJ Sasha performing live on the Radio 1 essential mix playing such artists as BT, Blue Amazon and Peter Lazonby. This sound had a profound effect on Graham and shaped his career to come.
The same friends who exposed Graham to the Rave in 1994 approached him about creating a first of its kind club night in Ottawa. The night was called Sweet and was held at a gay club on Bank street that was looking for promoters for their Saturday night. Graham brought in his own turntables each week and the group attracted crowds by handing out flyers in the city. The night was a success and brought in DJs such as Derrick Carter
Sweet led to Graham and his partners wanting to expand and take more control over their night, they began to look for their own space and settled on a half basement on Besserer St which opened in 1996. Atomic was an instant success and Grahams 8 hour sets at Seven Fridays became known as a destination club night from Montreal to Toronto.
It was during this period that Graham decided to assist both in his own career, and the growth of the music he was championing. He did this by flying to the UK and setting up meetings with the progressive house record labels who released the type of sound he played. During a ten-day period Graham visited labels such as "Stress", "Jackpot", "Skinny Malinky" and "Deconstruction" in an attempt to draw attention to the fact that this sound was growing in Canada. During the late nineties Graham was known as Canada's Progressive Ambassador.
1998-2000 Vancouver
In the late 90's, Graham's career evolved from the dj booth into the recording studio. After years of late nights djing in Ottawa and the surrounding cities Graham opted for a fresh start and moved to Vancouver. This move was designed to remove himself from the social scene in Ottawa and into virtual seclusion in a Yaletown Hi Rise. It was here that Graham wrote "Airtight", "Tell you", "Yaletown" and "Falling Together". Airtight was quickly picked up by Nick Warren and Paul Oakenfold for their DJ sets and signed to Hope Recordings. At this time Graham was also signed to a management deal with Hope Management. Soon after the success of these singles Graham was invited to mix the next installment of the Transport series. Transport put Graham on the Touring circuit and he was invited to join Paul Oakenfold on a mini tour including Pacha Ibiza and the Roseland Ballroom.
2002-2007 Montreal
In 2003 after moving back east, and a heavy touring schedule, Graham felt a break was necessary. He returned from a trip to Southern Asia with a new musical style and attitude towards the dance scene. From his new Montreal Studio he released his hit “Owner of a Lonely Heart” a remix of the song written by progressive rockers Yes in 1983. The remix started as a bootleg just for Graham to play out, but was quickly picked up by Deep Dish and Pete Tong causing a frenzy in the dance scene. The track was picked up by Ministry of sound and propelled into the UK top 40 charts at #8. The Video was #1 on Canadian Dance Station BPM for two weeks in a row.
While this grew Graham's profile in the scene, it also caused confusion, as it was drastically different to his earlier works which were considerably more Progressive and Trancey. To further add to this confusion Graham release another bootleg, the emotional "Gone" with Jessica Riddle which was much more like his previous style. Ministry was not interested in this track and attempted to convince Graham to produce something more commercial.
Not interested in being pigeon holed Graham was influenced by the Electro sound of the moment and had another strong release with "Crank" which went #1 on Beatport. Crank was strongly supported by Deep Dish, Tiesto and a score of other dj's.
2008-2010 - Armada and Cycles
After two years of making a hybrid of Electro and House Graham decided to return to his musical roots with progressive house and Trance. At the beginning of the year Graham signed with the well-known Trance/Progressive label Armada Music for a deal that would see an artist album and the creation of Max's own Compilation series entitled "Cyles". Cycles 1 was released in June 2008 and a successful tour followed.
In Late 2009 Graham returned to Montreal to begin work on his first artist album. The fruit of the first studio session in over a year was "Sun in the Winter" with Neev Kennedy on vocals release in March. Armin Van Buuren and Markus Schulz made the track mainstays in their sets. Armin included it in his A State of Trance 2010 compilations and Markus on his Las Vegas CD. The followup to this was a remake of a song Graham wrote in 2004 entitled "Does She Know Yet."
Graham's Debut Artist Album, entitled "Radio", was released on June 25, 2010.
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Maxi Rozh (5) 416 views 0 favorites
Revision History 2023-10-24 01:33:52 system Added band.
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Maxi Valvona (2) 373 views 0 favorites
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Maxine Hardcastle (1) 317 views 0 favorites
No description.
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Maxx Mortimer (1) 281 views 0 favorites
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May Vic (1) 67 views 0 favorites
Revision History 2023-01-08 19:54:51 bedwar1 Added band.
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Maywave (1) 65 views 0 favorites
Revision History 2023-03-29 01:39:56 djalex Added band. 2023-03-29 01:53:00 djalex Linked to album 3559
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Meat Katie (1) 262 views 0 favorites
Mark Pember, also known as Meat Katie, is a London-based tech-funk producer and DJ. He has gained popularity in recent years in developing his style of tech-funk, combining techno, tribal, electro, breakbeat, Moombahton, and house music. He released a large volume of material on the Kingsize label during the late nineties and early 2000s, and currently manages and records for his record label LOT49 alongside Dylan Rhymes. The labels artists include Dopamine, Kid Blue, Vandal, Odissi, Elite Force, and Lee Coombs. Meat Katie was awarded the Outstanding Contribution to Breakbeat award at the 2006 Breakspoll awards.
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Meghan Trainor (4) 555 views 0 favorites
Meghan Elizabeth Trainor (born December 22, 1993) is an American singer, songwriter, and producer. She started writing songs when she was 11 and soon produced them on her computer 2 years later. At 18, Trainor signed a songwriting deal with Big Yellow Dog Music, penning tracks for Rascal Flatts and Disney star Sabrina Carpenter. In 2011, she wrote and self-released two albums, I'll Sing with You and Only 17.
In 2014, Trainor gained prominence with her debut single "All About That Bass", which reached number 1 on the US Billboard Hot 100 and topped the charts in other countries such as Australia, New Zealand, Canada, Germany and the United Kingdom.Trainor was born and raised in Nantucket, Massachusetts, the daughter of Gary and Kelli Trainor. She grew up with a musical family, and has been writing songs since she was 11 years old. She started a band with her family. When she was 13, her parents bought her a computer so that she could compose her own songs. The family later moved to Hyannis, Massachusetts, so that Trainor and her two brothers, Ryan and Justin, could attend Nauset Regional High School in nearby North Eastham.
At age 17, Trainor won the worldwide Sonicbids (2011) "Tennessee Concerts Song Contest" with her song You're Good With Me. She attended the Durango Songwriter's Expo and Big Al Anderson of NRBQ introduced her to Carla Wallace of Big Yellow Dog Music. Trainor signed as a songwriter with Big Yellow Dog Music shortly after her 18th birthday, while she was still in high school. In 2011, Trainor wrote and self-released two albums, I'll Sing With You and Only 17. She went on several writing trips to Los Angeles, New York City, and Nashville. She settled in Nashville full-time when she was 19. She has had songwriting cuts with Rascal Flatts, Sabrina Carpenter, R5, and many others. On one of Trainor's writing trips, she met and wrote with Grammy-nominated producer Kevin Kadish. They wrote "All About That Bass" in 2014, and Trainor's publishing company told her that many artists might be interested in recording the song. L.A. Reid heard Trainor's own demo of the song and signed her to Epic Records, where she was able to release the song as a solo artist. "All About That Bass" has since become her first #1 single on the U.S. Billboard Hot 100 chart, and has topped charts in various other countries including Australia, Canada, Denmark and New Zealand. Trainor's EP, Title, was released in September 2014.
On September 28, 2014, the UK's Official Charts Company confirmed that Trainor's "All About That Bass" made chart history in the UK by becoming the first act to officially enter the Official Singles Chart Top 40 based on streams alone. The song then remained at the top of the UK chart for three weeks, becoming the longest-running number one by a female act in 2014.
On October 21, 2014, Trainor released the single "Lips Are Movin" to contemporary hit radio stations as the lead single from her upcoming third studio album Title, which is set to be released on January 13, 2015.
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Men At Work (1) 318 views 0 favorites
Men at Work were an Australian rock band which formed in 1979. Their founding mainstay was Colin Hay on lead vocals; he formed the group with Jerry Speiser on drums; and Ron Strykert on lead guitar; they were joined by Greg Ham on flute and keyboards; and then John Rees on bass guitar. This line up achieved national and international success in the early 1980s. In January 1983 they were the first Australian artists to have a simultaneous No. 1 album and No. 1 single in the United States Billboard charts – Business as Usual (released on 9 November 1981) and "Down Under" (1981) respectively. With the same works they achieved the same distinction of a simultaneous No. 1 album and No. 1 single on the Australian, New Zealand and United Kingdom charts. Their second album, Cargo (2 May 1983) was also No. 1 in Australia, No. 2 in New Zealand, No. 3 in the US, and No. 8 in the UK. Their third album, Two Hearts (3 April 1985), reached the top 20 in Australia and top 50 in the US.
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